An
Astrologer's Use of Mythology:
Entreaties to Venus
by Claire-France
Perez
When
a psychologist deigns to consult an astrologer, various
inherent biases set the stage. I'm used to the "counsel
of last resort" to which astrologers have been relegated.
This was one of those truly desperate moments.
"My
son has run away," the woman sobbed, "He may be
lost forever." I waited in supportive silence for my
next clue. "He's schizophrenic, you know." Her
son was on the high road, in the dangerous world out there.
"I'm in a position to know, I'm a psychologist."
Later in the conversation I learned she was still in supervision
pending approval of her MFCC license. From her chart and
her attitude I perceived a "know-it-all" shadow-type:
a curiosity fueled by, but not really questioned or understood
as, the motivation to uncover her own secret. The Animus
was strong.
The
astrologer has a "back door," around these ego
constraints. Align the correct mythology, and like the annoying
predictions of my sister who can watch any "whodunnit"
and nail the antagonist in the first act, the astrologer
also follows the thread of the dramatic story with an understanding
of its winding resolution. Mythology as map provides the
"instruction kit," for the astrologer-mythologist
who can warn of rocky shoals or smooth sailing.
"How
old is the boy?"
"He's
21." At that age I only wondered, from what did the
boy have to run? He was gone, his chart free of disturbing
difficulty. On the basis of Jung's "Heal the Mother"
ethic, I focused on her to chart to set a course that could
sail us toward resolution.
The
mother's chart showed Libra was rising. The mythological
clue? Follow the ruler of that sign, the Lady of the Night,
Venus herself. Aphrodite and her golden girdle, the one
that could move the crowds of people who stand in formation
at football games. Why do they do it? "Because it's
fun," they say. Venus rules mirth and entertainment.
She connects us, then forces us back down to prove our love.
For time immemorial, she has been obliging us mortals to
commit to our loves, if only because she was such a wanton.
Venus loves a crowd, a triangle and spats. That golden girdle
moved Anthony to forget he was a general, all for the love
of Cleopatra. Venus is sufficiently powerful to drug the
most sober and keel the most steadfast. She can make us
her slave.
But
these conditions of Olympus are forbidden to us mortals.
While the gods and goddesses may cavort and take their pleasure
with "children," these are unconscious behaviors,
belonging exclusively to the unconscious. They are not examples
as set by parents! Mortals may not partake of these privilege
without penalty. In fact, to displease these gods is to
attract their millstone of hubris upon us!
While
the client's left brain "superiority" had shut
down in the moment of suffering, I had to find the closest
parable to her chart, and create an ancient scene, something
she would recognize as being her voice. I identified in
my new client the shrewish Aphrodite/Venus of the Eros and
Psyche story. The mortal mother was suffering the pangs
of Aphrodite, in a drama which had separated her from (a
secret lover) her son. The identification with the goddess
was her hubris. She had to be returned to her human status
on earth, and fulfill mortal obligations to her marriage.
Taking the voice of Elizabeth Taylor in Who's Afraid of
Virginia Woolf?, I read from the Eros & Psyche story,
the role of Aphrodite's' scold of her son, Amor/Eros.
"Truly
your behavior is most honorable and worthy of your birth
and your own good name, first to trample your mother's,
or rather your Queen's, bidding underfoot, to refuse to
torment my enemy with base desires, and then actually to
take her to your own wanton embraces, mere boy as you are,
so that I must endure my enemy as my daughter-in-law! You
seducer, you worthless boy, you matricidal wretch! You think
no doubt, that you alone can have offspring and that I am
too old to bear a child."
She
slowly recognized her own voice from the shouting matches
that had damaged the house with holes from their year of
shared violence. To C.G. Jung, sentimentality was the shadow
of violence. Her Libra "niceness" fitted the mask
which disguised the violence from most, except the astrologer.
In the unconscious such fighting and attacks are depicted
by the alchemists as having a sexual nature, the "lovers"
meeting at the conjunction of their spark.
This
mother succeeded in her unconscious trysts by the way that
would be "acceptable" as domestic violence. She
understood my grasp, I could speak to her in the parables
that the Right Brain knows all about, once again recalling
them from the collective unconscious. She took my story
in stride, mostly intellectually. The work of healing was
yet to come.
I recommended
a four-month progress plan that would put her in touch with
the various of the starving archetypes ignored for the last
year. It's like a lawn gone to ruin for neglect. Psyche
had stolen all the worshipers from the Temple of Venus.
Now, the client, in the role of Psyche, had to beg from
Venus. The client would become the alchemist, and work her
process on the days in which the transits of the two lovers
of Olympia (Mars & Venus) would "hit" her
chart's planetary archetypes. Her laboratory was her own
stream of consciousness. She marked her calendar accordingly.
The goal was to offer Venus' care and attention to her marriage
bed, which for the period of violence with her son, had
not been loving. Her home could use some repair.
She
needed to work out. She became occupied with anticipating
shifts between the (alchemically) heating and cooling of
her own femininity: isolating on the days marked by Mars,
cutting flowers on the days marked by Venus. She was permitted
fantasizing about her son's whereabouts on only those dates
and times which would allow her a "no damage"
zone for her anxieties (Read the full story at www.AncientSky.com/runaway.htm).
After a couple of setbacks produced out of inattention to
her calendar, she called again about four months after our
initial meeting.
During
one of her now-habitual rituals of arranging fresh flowers
in a vase, she received word that her son had been spotted
on a local road. By virtue of a newly strengthened intuition,
she and her husband delivered the very flowers to the police
detective who had reported her good news. On their way home
they picked up a hitchhiker: her son.
She
spoke of their reunion connection to be a "lot sweeter
than I can remember." The goddess has been returned
to her lofty place in Olympus, and the mother to her own
mortal home.
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